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The specific voice-leading component was a later development
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Dvorak - Serenade for Wind Instruments, Violoncello and Double Bass Op. 44 - Full Score broadway The specific voice-leading component wasFirst Urtext edition of Dvorks popular Serenade for winds Detailed Foreword by Dvork expert David R. Beveridge (Eng Cz Ger) Critical Commentary by Robin Tait (Eng) In 1878 Dvork was in Vienna and was so impressed by a performance of Mozarts Wind Serenade in B flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozarts piece as his model, he supplemented the wind band with a bass part for
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