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Both the pigeon and I were on the edge of things
Four weeks of working with clay
(This format is in fact also the proportions of the main panel of the Ghent altarpiece)
what will be the evolution of the work
multidisciplinary German
Smoke-Particle Photogram Drawing 012 drawing Both the pigeon and IEach piece begins as a watercolour drawing, then is exposed to rising smoke from a kerosene flame. The soot, or 300 year old particles, reaches the paper through a second, sacrificial drawing that has been cut out. This intermediary sheet is slowly destroyed in the process, leaving only its traces and shadows. Soot and combustion particles settle directly onto the watercolour and grow a smoky drawing over the colour beneath, a kind of particle
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